Last News of Technology and Science > Transporters > Chrysler Nassau Concept 2007
» Chrysler Nassau Concept Design
(December 2006)
The Nassau is powered by Chrysler's 6.1L
HEMI V8 producing the same 425 horsepower it does in such
vehicles as the 300C SRT-8 and Dodge Magnum SRT-8. Power is sent
to the rear wheels through a five-speed auto. Chrysler pegs the
Nassau's performance at about 5 seconds for a trip to sixty with
a 165 mph top speed.
Inside the Nassau one is greeted by a center console with cues
taken from modern day cell phones and personal electronic
devices. Aside from the Speedo and tach, which are set in two
digital dials inspired by fancy watches, other important info is
shown on a digital display at the top of the dash. An
digital/analog clock appears set into the center of the steering
wheel, as well.

Chrysler PRESS RELEASE:
Artistic, refined definition of "what it is to be a Chrysler"
Combining refinement, function and style, the Chrysler Nassau
concept explores a new expression of the Chrysler brand. The
four-door, four-passenger Chrysler Nassau luxury coupe is, as
Alan Barrington, principal exterior designer of the concept
said, "a more emotional and artistic articulation of what it
means to be a Chrysler."
Though built on a full-size 120-inch wheelbase, the Nassau
appears more visually compact than a comparable Chrysler 300C.
"Traditional exterior proportions have been enhanced with a
silhouette that recalls the classic English 'shooting brake,'"
said Barrington. "This provides SUV-like interior volume with a
lower, more roadworthy physique."
Barrington said the exterior design vocabulary is fluid and
sophisticated with special attention paid to wheel placement
relative to the body surface for a sleek, toned stance.
"In order to attain a more compact appearance," explained
Barrington, "the Nassau has deliberately concise front and rear
overhangs, with the body surface wrapped around the large
10-spoke 21-inch wheels."
Accenting the Mystic Blue Pearl color of the body, the sill and
the lower portions of the front and rear fascias are finished in
Starbright Silver. The lower surface of the body is defined by a
subtle undercut that rises slightly toward the rear wheel.
Though the arc of the roof resembles that of a coupe, the
Chrysler Nassau concept is in fact a four-door hard top with
front and rear side glass that retracts fully, revealing the
absence of an above-the-belt B-pillar. The crisp but fluid
A-line that closes slightly against the rising belt is also of
particular note.
"We sought to capture the effect of a classic sculpture – an
artistic approach with a shapely flowing of lines that give the
impression of movement even while standing still," Barrington
said. "The line in the profile draws down and into the taillamp,
leading the eye of the observer toward to the dramatic back end
which creates its unexpected 'shooting brake' appearance."
In side view, the upper portion of the rear hatch is steeply
raked, with the back light swept cleanly around to the
C-pillars. The lower portion of the tapering back light glass is
pulled emphatically rearward, a treatment repeated in the near
vertical surface of the lower hatch. The flanking taillamps are
graphically the reverse of the headlamps, with the lenses
growing wider as they sweep around to the side, with the bright
accent along the bottom of the lens. Much of the lens is
populated by rows of bright rectangles set in a red field, the
rectangles helping to delineate the surface of the rear quarters
when the lamps are unlit. All exterior lighting is visually
distinctive with the use of atypical textures, colors and LED
technology.
Fronting the long hood is a new interpretation of the eggcrate
Chrysler grille, rendered in chrome and satin aluminum.
Bracketing the grille and sweeping rearward nearly to the wheel
openings, the long, narrowing headlamps and their upper chrome
brows combine with the rising sculptured line of the upper
fascia to subliminally evoke the uplifted wings of the Chrysler
badge.
The Chrysler Nassau's lower fascia is accented by the long
chrome brows of the tapering left and right fog lamps, a detail
replicated in the "repeater lamps" of the slim, door-mounted
side view mirrors. The plan view of the Nassau highlights the
dramatic swept-back curves that define both the front and rear
fascias.
Stepping into the Chrysler Nassau, one enters a new world of
luxury specially designed to a younger, aspiring audience. The
presiding interior theme is one of flowing seamless sculpture
composed of leathers and fabrics derived from futuristic
architectural interiors.
"We looked carefully at space efficiency," said Ben Chang,
principal designer of the Nassau's luxurious interior. "We
pushed the interior surfaces outboard to increase the space
inside while individual bucket seating provides each of the four
occupants personal space.
"The look of various components inside the vehicle was inspired
by the design of contemporary cell phones, computers, iPods and
MP3 players," Chang added. "We paid close attention to the
graphics and finishes of these technologically advanced
products, seeking to make controls in the Nassau's interior that
the driver interfaces with similar to what you'd find in the
office or among personal electronic devices. We strived to
achieve a seamless interface between your car and the rest of
your electronic world."
The instrument panel is a showcase for new technologies in data
display, personal control interface, and home theater-inspired
entertainment. Gear selection is accomplished via a pod control
mounted on the instrument panel while the steering wheel
incorporates auxiliary paddle shifters.
"The look of the instrument cluster was based on an expensive
watch, again because we sought to create a visible connection
with what people have and use," Chang said.
While the instrument cluster has its own taut brow, the shape of
the forward portion of the instrument panel is sensuously
sculpted. Housing the main cluster, the upper surface of the
panel includes a wide asymmetrical elliptical opening.
The shape was inspired and reminiscent of Constantin Brancusi's
famous Bird in Space sculptures. Brancusi, an artist based in
Paris from the 1920s to the 1940s, was preoccupied by physical
attributes of birds in flight, or more specifically, the essence
of flight. The theme fits perfectly with the vehicle's goal of
giving the constant impression of smooth, slender movement.
Within the housing of the instrument panel (I/P) is a
three-layer screen, which allows the simultaneous display of the
navigation, passenger entertainment and vehicle function
displays.
As they move toward the doors, the left and right side lower
portions of the two-tone I/P rise upward, again subtly reprising
the Chrysler wings. Sandwiched between the upper and lower
surfaces of the instrument panel are partially-concealed
horizontal vents that direct cool air into the cabin.
The four handsomely-formed bucket seats are covered in
cream-colored leather, with the suede accents in a fine bamboo
texture, a theme repeated on the door trim panels. Occupants can
gaze upward through twin "Picture View" skylights, longitudinal
blue-tinted glass panels that run the length of the roof panel.
Those in the rear seats can enjoy a movie displayed on the flush
video screens incorporated into the rear-facing portion of each
of the front seat headrests.
Running fore-aft between the seats is a center console with a
satin silver trim strip that travels from the I/P center stack
to the upper rear seat backs. Set within the console are the
front and rear "joy stick" controls designed to function much
like the "mouse" control of a home or office computer. Power
window switches and flush-mounted pop-up cup holders are also
contained in the console.
Among the more interesting visual details within the Deep Mystic
Blue and Cream interior are the refined-yet-simple chrome
accents and textures used on the silver speaker grilles on the
doors, seat back monitors, headliner and foot pedals.
Behind the passenger cabin, the surface of the boat tail-shaped
cargo cover is accented with five stainless steel accent strips,
while panels in the carpeted cargo area below offer additional
storage.
"With its sculptural artistry and technological sophistication,
the interior of the Chrysler Nassau is the perfect complement to
its visually-arresting exterior," said Chang.
SPECIFICATIONS:
Weight and Dimensions
Weight 4500 lbs (est)
Length 196.1" (4981 mm)
Wheelbase 120" (3050 mm)
Front overhang 37" (940mm)
Rear overhang 39" (991 mm)
Width 74.2" (1885 mm)
Height 58.9" (1496 mm)
Track front/rear 63.8"/65.5"
Turn circle 38.7 ft (11.8m)
Couple 35.5" (755 mm)
Powertrain and suspension
Engine 6.1L HEMI, 425 hp @ 6200 rpm,
420 ft. lb @ 4800 rpm
Drivetrain RWD, A580 5-speed automatic
Suspension Front/SLA, Rear/5-Link Independent
Wheels and tires
Tire size front/rear P245/40R22 29.7" (755mm)
Wheel size front/rear 22" x 8.5"
Color scheme
Exterior Mystic Pearl Blue
Interior Deep Mystic Blue and Cream,
Leather and Ultra Suede
Key Performance Attributes
0-60 mph 5 seconds
Standing 1/4 Mile 13.5 seconds
Top speed 165 mph
Range 380 miles
Link: CHRYSLER NASSAU CONCEPT
Reference: autoblog
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